Subhash Ghai کارگردان سینما و تلویزیون است. وی سال 1323 چشم به جهان گشود. از مهمترین آثار Subhash Ghai میتوان به کارگردانی فیلم Yuvvraaj، فیلم Kaanchi و فیلم Pardes اشاره کرد.
Subhash Ghai کار حرفهای خود را از سینما آغاز کرد و سال 1359 در 36 سالگی در فیلم Karz به عنوان کارگردان فعالیت داشته است. گرچه موفقیت این اثر نسبت به آثار شاخص بعدیش مانند فیلم Yuvvraaj، بیشتر نبود اما تجربه خوبی برای Subhash Ghai محسوب میشود و همکاری با هنرمندانی همچون Rishi Kapoor، Tina Munim، Simi Garewal و Raj Kiran را تجربه کرد.
Subhash Ghai در سال 1387 دورهی پرتلاشی را در عرصه سینما و تلویزیون گذراند و در تولید اثر مهمی حضور داشته است. اثر مهم Subhash Ghai در این سال، فعالیت در فیلم Yuvvraaj به عنوان کارگردان محسوب میشود.
شاید یکی از مهمترین بخشهای بیوگرافی Subhash Ghai فعالیت در فیلم Yuvvraaj بوده است. Subhash Ghai سال 1387 در 64 سالگی فیلم Yuvvraaj را کارگردانی کرد که توانست خود را میان اهالی فضای سینما مطرح کند. از Subhash Ghai نقل قول شده است که برای کارگردانی در فیلم Yuvvraaj و همکاریش با عوامل و بازیگران اعلام رضایت کرده است. Subhash Ghai توانست با فعالیت در فیلم Yuvvraaj تجربه حرفهای موفقی برای خود رقم بزند و همکاری در کنار بازیگرانی نظیر سلمان خان، Anil Kapoor، Zayed Khan و Mithun Chakraborty توانست سطح کاری او را متحول کند.
Subhash Ghai علاوهبر فیلم Yuvvraaj، سال 1393 در 70 سالگی فیلم Kaanchi را کارگردانی کرده است. Subhash Ghai اینبار با هنرمندانی چون Kartik Aaryan، Rishi Kapoor، Mithun Chakraborty و Sahil Vaid همکاری داشت.
با اینکه Subhash Ghai را بیشتر بعنوان کارگردان میشناسیم، اما در حرفههای دیگر نیز فعال بوده است. Subhash Ghai علاوهبر کارگردان بهعنوان نویسنده، تهیه کننده و بازیگر نیز در سینما و تلویزیون فعالیت داشته است. مهمترین آثار Subhash Ghai در حرفهی نویسنده، فیلم Hero، فیلم Kaanchi، فیلم Yuvvraaj، فیلم Yaadein...، فیلم Taal، فیلم Pardes، فیلم Khal Nayak، فیلم Ram Lakhan، فیلم Karma و فیلم خاطرات است. مهمترین آثار Subhash Ghai در حرفهی تهیه کننده، فیلم غریبه و فیلم خاطرات است. مهمترین اثر Subhash Ghai در حرفهی بازیگر، فیلم Karma است.
در مجموع در کارنامه 73 ساله و بیوگرافی Subhash Ghai آثار مهمی وجود دارد. اگر میخواهید با بیوگرافی Subhash Ghai و زندگی حرفهای و آثار او بیشتر آشنا شوید، حتما به صفحه هر یک از آثار Subhash Ghai در منظوم سر بزنید. همه 12 اثر مهم Subhash Ghai در منظوم یک پروفایل اختصاصی دارند که اطلاعات کامل معرفی آنها تهیه شده است. امتیازی که هر یک از آثار Subhash Ghai در منظوم دارند، نمره و امتیازی است که مردم از یک تا ده به آنها دادهاند. در واقع هر چقدر Subhash Ghai در آثار ارزشمندتری فعالیت کرده باشد، توانسته نمرهی بیشتری از سوی مردم بگیرد، در نتیجه سوابق کاری و بیوگرافی Subhash Ghai درخشانتر خواهد شد. مثلا اثری که در بیوگرافی Subhash Ghai بیشترین امتیاز را از مردم گرفته است، فیلم Yuvvraaj محسوب میشود و اثری که در بیوگرافی Subhash Ghai کمترین امتیاز را گرفته است، فیلم Khal Nayak محسوب میشود.
اگر در مورد بیوگرافی Subhash Ghai نکات بیشتری میدانید حتما برای ما ارسال کنید تا کمکی بزرگ به همه مخاطبان و طرفداران Subhash Ghai کرده باشید. مثلا اگر اطلاعاتی دقیقتر در مورد بیوگرافی Subhash Ghai، آثار Subhash Ghai، جوایز Subhash Ghai، همکاران Subhash Ghai، گالری عکس Subhash Ghai، قد Subhash Ghai، وزن Subhash Ghai، رنگ چشم Subhash Ghai، وضعیت تأهل و همسر Subhash Ghai، فرزندان Subhash Ghai، حواشی Subhash Ghai و کودکی Subhash Ghai میدانید حتما برای ما ارسال کنید.
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بیوگرافی / زندگینامه Subhash Ghai
Ram Lakhan (1989), Khal Nayak (1993), Hero (1983), Karz (1980), these are some grand films made by a grandiose director. Since 1976, Subhash has been directing films. But recently where has the fanfare and the fire has gone from Mukta arts main director? Subhash started in 1976 with the film Kalicharan (1976), a film he made without any previous directorial experience. The film was rejected seven times before it came to NN Sippy who gave Ghai his shot. He followed this two years later with Vishwanath (1978) but struck big time with his third film, and first under his Mukta Arts banner, Karz (1980). With hit pairing of Rishi Kapoor and Tina Minium, Karz brought together Subhash & Laxmikant-Pyarelal. He then hit the audience with Hero (1983), starring an actor he would repeat many time in his future films, Jackie Shroff. This was his first film as the main protagonist. It also established Meenakshi as a top heroine. In the first two weeks, the film was declared a dud. However, from its third week onwards it went on to run at cinemas for many golden jubilees.Again musically, Ghai had the genius stroke of having Pakistan's top singer Reshma sing Lambi Judaai with just 11 instruments. He hit next with _Meri Jung (1982)_ with Anil Kapoor and then he gave the term Multi Starrer blockbuster its true home. Karma was released in 1986 with huge fanfare. The pre-production hype matched its pre-release hype with the rivalry of Dillip Kumar and Naseeruddin Shah. It was a superhit. Again new faces were brought in. Anupam Kher made his appearance as Dr. Dang. Ghai received a national award for making an anti-terrorism film. In his next film, one of Bollywood's legends was born, Madhuri Dixit in Ram Lakhan (1989). Another superhit for a barely textbook script. Like his track record, Saudagar (1991), his next release united two icons together. Dilip Kumar and Raj Kumar. Again Ghai launched another star, Manisha Koirala. Another film another superhit. His next film was one of the most talked about films of its time and could match any film today for column space. Sanjay as the bad guy and Jackie as the good guy. Madhuri caught in between the two. _Khalnayak (1993)_ was notorious for many things. At the same time, Sanjay wound up in jail on terrorist charges. Before jail, Sanjay and Madhuri were said to be having a relationship, but when Sanjay ended up in Jail Madhuri dropped him like hot cakes and denied all knowledge of being anything more than a co-star. The main song "Choli ke peechay" was at the top of every chart and just as controversial. This was the showman's greatest moment. From here it could only go down.Though Trimurti wasn't directed by Subhash, it came from the same production house. The film was put on hold for ages. It was meant to be a triumphant moment for Ghai. The showman and the star, Shah Rukh Khan united. For all the time he had been in Bollywood he had never made a film with Amitabh and this was his time to show the world what he could do with the star of the moment. But the project was laid back for months as Subash waited for Sanjay Dutt to be released from prison. Eventually, Dutt had a face to face meeting with Ghai and told him straight. Replace me. Anil Kapoor was drafted in. But even with Jackie Shroff, Shah Rukh Khan and Anil Kapoor the weak script was destined to fail. Its failure hit Ghai hard and Mukul Anand even harder. The later never got the chance to direct another film. His venture after Trimurti was Dus. He died towards the end of shooting. The film never saw release. With the knives that were stuck in Ghai, he came back with another Shah Rukh film this time directed by himself. Pardes (1997) was launched with Ghai declaring that from now on his films would be aimed at NRIs. From that moment on Ghai lost his biggest supporter, the press. An average hit compared to the Ghai catalog. By now he'd even changed his musical directors to Nadeem-Sharavan. Music is where the hits and flops were made. Ghai knowing this asked AR Rehman to write the music for his next film. He struck gold again. The star of the show was Aishwarya. It made phenomenal amounts of cash - not bad for a film where nothing interesting happens until the interval where one A. Kapoor makes an appearance. Ghai was back. He knew who'd been the people who'd stuck the knives in his back and isolated them, the press.He had the last laugh. Or did he. Forward to 2001 and Ghai was planning to make history. Hrithik and Kareena together for the first time. _Yaadein (2001)_. From its announcement the press were out to hound Ghai. And it showed. The film was written off from day one. Criticised from anything and everything. The coke ads, the numerous other in film adverts, too fluffy. Jackie Shroff was the only saving grace to come out of this film. Subhash has isolated the one thing that gave his film the hype and now he's feeling very left out from the Indian press who have warmed up to other directors. Ghai had a rule of releasing a film every two years yet two years after Yaadein he has not announced a single directorial venture, just two producer ventures, Ek aur ek gyarah and Joggers Park. His ego and his own ability to create hype for his films could be to blame. He raises the expectations of his own films to such a level that the audience is expecting much. And if it fails to deliver even slightly, the audience and the press will hype up the failures even more so. What the future holds for Ghai is unknown and only he can answer. Though don't expect The Showman to let any other director take his title anytime soon!
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