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Growing up in Manchester, England during the heyday of Factory Records, The Hacienda and the tail-end of Punk Rock - Miller spent formative years in his father's blue-beat record shop, before moving to London, where he studied Media at The University of Westminster.
After brief stints in journalism, rock videos and music management, Miller became a well known fixture in various West End nightclubs serving as promoter, DJ and even doorman. During the youth-culture explosion of the late 80s, Miller was instrumental in the launch of Dazed & Confused Magazine, pioneered various venues like The Brain Club and help art direct the flyers and interiors that served as the backdrop of Acid House.
The publication of Trip City led to various staged readings and Miller's one-man-show which played at the ICA, Edinburgh Festival, Bluecoat Arts Centre and Axis in New York City. That in turn led to work in the branding and marketing sector at Blue Source.
In 1993, Miller moved to Los Angeles, where he launched Men's Perspective Magazine and became Editorial Director of Metropolis Publications. As a figure on the U.S. publishing scene, Miller was quoted in the Wall Street Journal and Folio. From there he segued to on-line publishing and web-development which ultimately shifted into a career as a screenwriter.
After working on numerous films and rewrites at Franchise Pictures, Millennium and Mobius International Miller had been fast tracked from Jean-Claude Van Damme, through Steven Seagal to Sylvester Stallone - his own independent endeavors financed by more formulaic commercial fare.
Over recent years he has worked as both Writer and Editor for a diverse roster of Directors including Larry Clark, James Gartner and Jesse Dylan.
His directorial, feature debut entitled Riot On Redchurch Street, premiered at The East End Film Festival (London) in 2013 and was described by Time Out as "gritty and epic."