‏Harry Andrews‏ (1290 - 1367)

British character actor Harry Andrews had the sort of massive granite face and square jaw that would stamp that career, but he set himself apart with brilliant stage and screen work. He had graduated from Wrekin College in Shropshire and then moved on to the stage, appearing with Liverpool Repertory in 1933 and focusing on Shakespearean roles. He was befriended by stage star John Gielgud who invited him to New York and Broadway as part of the cast of "Hamlet" in 1935. On the return to London, Andrews did a run of plays in the West End. Then Gielgud invited him into his own stage company. Soon after he was asked into the Old Vic Company by its director Laurence Olivier. His roles were becoming increasingly substantial, authoritative parts to match his sharp and forceful, through-the-teeth delivery of lines. Next he did not pass up the opportunity to join the Stratford Memorial Theatre in Stratford-upon-Avon, where he spent a decade honing himself into an established, fine, versatile actor, described by the controversial London theater critic Kenneth Tynan as "the backbone of British theater." He came to the small screen before the large, having debuted in British experimental television in 1939, followed over a decade later with his debut on the ever expanding and fecund American playhouse TV in 1952. His big screen debut came the next year in a character part which would accent his career-from ancient to modern-the disciplined military man in The Red Beret (1953). From there the roles came his way - three or four per year